Hothlal Pari:
Becoming the Land to Protect it
AREESHA KHUWAJA | PUBLISHED: 5/4/2025
To care for something sacred, one must become part of it. Hothlal Pari, the guardian spirit of Karoonjhar, embodies this truth: not only through myth but through memory etched into stone, water, and wind.
She is remembered differently across time. In the Satya Yuga, she was harmony itself: not a winged figure, but a presence. She moved with the rhythm of clean wells, untamed forests, and a land alive with balance. Her guardianship was quiet, interwoven with the landscape, not separate from it.
But as the Yugas turned and danger drew near, she transformed. In the Treta Yuga, she emerged in defense: sometimes remembered as a mortal woman in a warrior’s guise, dressed as a man, shaped for resistance. Her shapeshifting was not fantasy; it was survival. In a world where stories are coded strategies, she adapted as the land was threatened.
This idea of transformation runs deep across Kutch, Gujarat, and Sindh. Women become wind. Spirits vanish into salt. Fairies appear only when the earth calls them. Even in Paheli, a ghost takes the form of a man to protect love. These are not tales of escape but expressions of resilience: of identity shaped by necessity, love, and care.

Paheli (2005), directed by Amol Palekar, starring Shah Rukh Khan (in a dual role as the ghost and the husband) and Rani Mukerji (as Lachchi).
The film is based on a Rajasthani folk tale and explores themes of love, longing, and shapeshifting spirit beings.
In one telling, Hothlal Pari is seen bathing in a sacred pond. When a warrior, awestruck, proposes marriage. Her beauty is not described as ornamental but as presence, reverence, power.
Her story turns the idea of protection inside out. She does not linger above in some soft celestial realm; she descends, she walks, she labors. In Bhodesar, when the sea dried and the land lay desolate, it was Hothlal Pari and her companions who stayed. They dug the vast talaoo, and a peepal tree grew beside it. The place became livable again. She does not save from above; she joins from within. Not a distant mother, but a presence that meets the land at eye-level.
This is her lesson: spirits do not rescue us. They appear when we rise. They walk with us when we begin to walk with care.
Hothlal Pari is not just of Karoonjhar. She is Karoonjhar. Her breath rides the desert wind. Her story is not only something to remember but something to recognize whenever we stand to defend what we love.

The author, Areesha Khuwaja, an artist and multimedia storyteller who works under the alias Pakkhee. With a background in Creative Multimedia, her work explores themes of myth, belongingness, and cultural erasure. All artwork is original and © Pakkhee.
Tags / Keywords:
Mythic Interpretation · Cultural Commentary · Eco-Spiritual Philosophy · Environmental Ethic · Animism · Indigenous Knowledge · South Asian Culture · Sindhi Culture · Gujrati Culture ·Heritage Conservation · Divine Feminine · Resistance · Oral Traditions · Folklore · Karoonjhar · Eco-Spiritualism · Eco-Feminism